"If the human heart can so thrill me, what must be the heart of God; if the spark is so bright, what must be the flame?" - Fulton J. Sheen
Thursday, November 22, 2012
Black Friday: The High Holy Day of Stuffism
Tuesday, May 15, 2012
Bullying, Relativism, and Youth Suicide
Sunday, May 6, 2012
Into the Fire: Towards a Life Worth Living
Sunday, August 21, 2011
Marriage (or just Weddings) in Mainstream Culture
Sometimes the two seem to become connected in rather inappropriate ways. One example of such a connection is exhibited in the NPR article, “Why are Wedding Dresses So Expensive” (1). I showed it to Matthias who mentioned it in his previous post, before I posted it on facebook with sarcastic remarks on how our priest failed to properly assess my fittingness and disposition to marry by inquiring the amount I spent on the wedding gown. My husband should probably know about this, since the gown was on clearance and the veil bought off ebay. Joking aside now. The things that are pointed out in that article point to a societal separation between weddings and sacramental marriage, and a focus on weddings as events of great (monetary) value in their own right. Christine, in her comment on Matthias’s post, puts it pretty well. Weddings have become a ritual in “self-realization” and “adulthood,” and mark an entrance into another stage of life (but not necessarily the rest of your life together).
The term, “wedding” unfortunately, seems automatically to mean the reception in many people’s minds, not the ceremony in which you actually become married. A number of the people who asked me where the wedding was going to be, after my response indicating the particular church, indicated that what they meant by “wedding” was actually where the reception was going to be held. As if where we were actually getting married to begin with hardly mattered. As if the sacrament were only a brief prelude to the “real” wedding. Likewise, the questions about how the wedding planning was going also revolved around things related to the reception or other extra things. Did we choose the menu, the cake (we did cupcakes, actually), get a photographer, get a DJ, is the dress done? No one (except our priest and music director) in these “wedding-planning” conversations asked if we had chosen the readings for the Mass, or the music for the Mass, or anything about the Mass.
The popular ideal for a wedding seems to be about making it a perfectly designed and choreographed production that will amaze your guests. One of the biggest wow-factors of a wedding is the gown, so we end up with articles like the one mentioned above, and we observe a culture of glamour, rather than sanctity, surrounding weddings and their preparation in mainstream culture.
(1) http://www.npr.org/blogs/money/2011/08/05/138760908/why-are-wedding-dresses-so-expensive?sc=fb&cc=fp
Sunday, August 7, 2011
Materialism, Materialism, and Marriage
When my wife was searching for a wedding dress, she spent some time shopping before finding a discontinued dress on clearance. The dress looked lovely and the saleswoman told my then fianceĆ©, "and you don't even have to tell anyone it was on clearance!" As if spending an insufficient amount on a wedding dress were a piece of moral turpitude best hidden from friend and foe alike. To some people, it is. Today wedding dresses not uncommonly cost thousands of dollars. Salespeople and friends ask if a bride is certain she has found “the” dress. Each bride a special snowflake to be matched only to the perfect dress.
What is true of the search for the modern wedding dress is true of modern weddings in general. . Flowers, bridesmaids’ dresses, photography, music, the reception all combine to make the average spectacle of a wedding today cost about $22,000. A recent article suggested various reasons for this particularly: showing of social status and, showing off how seriously a bride takes her marriage.
And yet as the costs of the wedding get higher and higher, the length of the marriages get shorter and shorter and the divorce rates ever higher. How is a society that values marriage so much more than it ever has (at least by the measure of mammon) unable to prevent marriages shorter from when they ever have been? Might the measure have gone wrong?
In the Christian tradition and the Christian ages, marriage stood as a channel of divine grace and a symbol of the union between Christ and his Church. The spouses were to mirror the self-giving, self-sacrificing, love of God. As God’s love was creative and led to the creation of the world (as well as the Incarnation and crucifixion), so a husband and wife are called to a procreative love in children. As the love of Father and Son eternally binds them together and leads to the Holy Spirit, so human love is to be open to the third in children. Fulton Sheen says that love is always triune. When the entire world can be a symbol of the divine, as it was to St. Francis, Augustine, and the entire Christian tradition, the world is a larger and richer place. When marriage can be a symbol of God, marriage is better off for it.
The modern world, however, is a material world. God is dead, or at least widely proclaimed to be so. Life, as life without God must be, is devoid of any real purpose, meaning, or objective value (2). In such a world, marriage can hardly be a symbol of the divine. It can be little more than (as it has become) a temporary contract entered into and broken at the whim of either party. NT Wright wrote, “sex used to be a sacrament, but in the modern world, it has become a toy” (3).
Still, by a basic and wild instinct, man still knows that sex and marriage ought to be something more than mere contract or animal instinct. Unable to value marriage as a sign of God’s love for His Church, however, (since God is dead), he shows his appreciation for marriage the only way a material world can, through money. A philosophically materialist world inevitably becomes materialist in another sense and so the cost of weddings goes ever higher. But so do the divorce rates.
Fulton Sheen wrote that two empty cups cannot fill each other; two sticks cannot be tied together save by something outside themselves, and the modern world has found materialism (in both senses of the word) a poor cord. The Christian Ages of the world had an answer, and to them we turn for ours. There, love could be love because it could be triune. Spouses could love each other because Love Himself was involved. Chesterton called Christianity the answer to a long riddle. If only the modern world cares to see it.
(1) http://www.npr.org/blogs/money/2011/08/05/138760908/why-are-wedding-dresses-so-expensive?sc=fb&cc=fp
(2) For one assessment of this see, William Lane Craig’s essay, “The Absurdity of Life Without God.”
(3) from Simply Christian.
Sunday, June 5, 2011
Modern Man and the Ugliness of Modern Art
I recently made an album of some pictures I took on my recent research trip to several Italian cities. While I would work during the week, I spent the weekends playing the tourist at various historic sites, especially many of the old Churches. When I returned, I made an album of a selection of the photographs that I had taken and was showing them to some relatives at a recent family gathering. They were suitably impressed by the photos, especially many of the Churches, and some remarked that one did not see artwork and architecture like that today. I was forced to agree.
This exchange reminded me of a couple remarks made by the Archbishop Fulton Sheen. In the first, he speculated on why modern art and architecture was so ugly. He suggested that in religious ages, art and architecture was more beautiful because men believed in a spiritual world that they could represent materially. The material was used to represent the spiritual, and the former was dignified by the comparison. In the modern age (or rather, the second pagan age), artwork and architecture is often so ugly because there is nothing to represent materially. All that is left is the weird, and so much modern art has given up on the search for beauty and simply tries for the strange and unfamiliar.
Many of the Churches that I saw and photographs I took inclined me to agree with the late archbishop. The first image here is of the Florence Duomo. The second is of the world trade center in New York City.

It may be protested that this consists of a remarkably small sample size. Very well, the reader is invited to consider on his own whether there might be something to this, and whether myself and my relatives, untrained artists all of us, are right in agreeing that modern art and architecture is far worse than medieval. One wonders then why "medieval" has become almost a synonym for "backward" in the modern world.
If so, then surely this represents an indictment of the modern world. A material world that cannot believe in the spiritual is a far poorer world. And human sense rightly revolts against it.
Some do not. While traveling Italy, I met a young Scandinavian woman on a bus trying to find her way to a hostel. We began talking about our travels and I mentioned my fascination with all of the old Churches. She responded dismissively, "oh, when you've seen one Church, you've seen them all."
First of all, this is hardly true. It is the ugly buildings of the modern city that all look alike. The sheer variety all the all old Churches makes me think of the remark by C.S Lewis, "how monotonously alike all the tyrants of the world, how gloriously different all the saints." Second, it reminded me of a story told by Fulton Sheen. He told of a tourist at the Louvre who, on exiting commented contemptuously to a security guard who was standing by that he (the tourist) saw nothing to admire in those paintings. The security guard responded, "Listen! These pictures are not on trial; you are!"
It was not only that art has become ugly; it is that the modern materialist, like my Scandinavian acquaintance, also gradually loses his ability to appreciate beauty where it may be found. Chesterton wrote in Orthodoxy, that right or wrong, materialism gradually destroyed the modern man's humanity.
What was true of that tourist is true of the modern world-- and of us. The modern world is on trial and the case for the prosecution, the ugly artistic consequences of our materialism alone, is a strong one indeed. The judge is just, the verdict coming. If the modern world does not reject its materialism, it will find, not only will it have lost the ability to produce beauty, but, it will also have lost the ability to appreciate it, with devastating consequences for its ability to enjoy heaven and the new creation that began with Easter.